— from ‘The Sensible Thing‘ by F. Scott Fitzgerald
(Source: glassybaby, via siftingflour)
(Source: glassybaby, via siftingflour)
(Sigismond is so immensely annoying I was fuming throughout the last few pages but all is well and you can’t completely hate him what with the trapping-a-burglar-in-the-silver-cupboard incident and riding on the cheval de Marly)
Spirit
(‘at the time of first publication Janet Frame was in a mental hospital and when the book went on to win the Hubert Church award it was decided that she should be spared a threatened leucotomy operation. As she says in her autobiography, “my writing saved me”.)
The Lagoon
“Oh, you wicked little thing!” cried Alice, catching up the kitten, and giving it a little kiss to make it understand that it was in disgrace.
‘And here I wish I could tell you half the things Alice used to say, beginning with her favourite phrase “Let’s pretend.” She had had quite a long argument with her sister only the say before — all because Alice had begun with “Let’s pretend we’re kings and queens;”and her sister, who liked being very exact, had argued that they couldn’t, because there were only two of them, and Alice had been reduced at last to say, “Well, you can be one of them then, and I’ll be all the rest.” And once she had really frightened her old nurse by shouting suddenly in her ear, “Nurse! Do let’s pretend that I’m a hungry hyaena, and you’re a bone.”But this is taking us away from Alice’s speech to the kitten. “Let’s pretend that you’re the Red Queen, Kitty! Do you know, I think if you sat up and folded your arms, you’d look exactly like her. Now do try, there’s a dear!”
“Let’s pretend the glass has got all soft like gauze, so that we can get through. Why, it’s turning into a sort of mist now, I declare! It’ll be easy enough to get through — “She was up on the chimney-piece while she said this, though she hardly knew how she had got there. And certainly the glass was beginning to melt away, just like a bright silvery mist.
‘she sat watching the White King (for she was still a little anxious about him, and had the ink all ready to throw over him, in case he fainted again)’
“O frabjous day! Callooh! Callay!”
‘Field book of Common Gilled Mushrooms’ New York: G.P. Putnam’s Sons,1928.
(Source: notebookgarden, via pink-slip)
I just finished reading this and would definitely recommend it to anyone interested in the pre-raphaelite movement. Lizzie Siddall lived a pretty fascinating life.
(A Cutlery maker father, inventor neighbours; the Plimsoll Line and the machine gun (also a murderer), poetic inspiration from a Tennyson used to wrap a pat of butter, addiction and self-starvation and convalescing by the sea (bit like me), ‘they would be off walking for miles and carving their initials in the bark of unfortunate trees’, red head persecution history, ‘Lizzie’s most popular themes, those of doomed love between different social classes and untimely death’, the Lewis Carroll and Oscar Wilde connections, Ruskin as a patron- feminism!, St. Agnes day when women used to fast before head in order to dream their future husband’s face, Ivory dust remedies and “I should simply do what I do, If I could, as I should try to save a beautiful tree from being cut down, or a bit of Gothic cathedral that’s strength was failing. If you would be so good as to consider yourself as a piece of wood or Gothic for a few months I should be grateful to you”. ”You inventive people pay very dearly for your powers”, Topsy, Ned & Co. Bocca Baciata and William Morris writing “I cannot paint you but I love you” on the back of his canvas for the model to see. Rossetti’s life long passion for wombats (he owned an armadillo, kangaroos, a raccoon, a dormouse and a peacock, Lizzie had a bullfinch), “I hope you intend on coming over with Ned tomorrow evening like a sweetmeat, it seems so long since I saw you dear. Janey will be here I hope to meet you. With a willow pattern dish of love to you and Ned, Lizzie”.
Idyllic sounding Red House; ARS LONGA VITA BREVIS -art endures, life is brief. St. George and Princess Sabra and syrup of poppies and exhumation!!!
‘a boy of nineteen—was studying a small manual of anatomy, and peering occasionally at a bone which lay upon the piano. From time to time he bounced in his chair and puffed and groaned, for the day was hot and the print small, and the human frame fearfully made’
‘Lucy, who was in the little seat, seemed on the edge of a green magic carpet which hovered in the air above the tremulous world’
“That place is too sweetly squalid for words. I love it; I revel in shaking off the trammels of respectability”
“Just the place to bury a crock of gold,” said Sebastian. “I should like to bury something precious in every place where I’ve been happy and then, when I was old and ugly and miserable, I could come back and dig it up, and remember.”
’Sebastian, idly turning the page of Clive Bell’s Art, read: “Does anyone feel the same kind of emotion for a butterfly or a flower that he feels for a cathedral or a picture? Yes. I do” ‘
‘the air of my room heavy with smoke and spice, and my mind weary with metaphysics’
’Sebastian’s life was governed by a code of such imperatives. “I must have pillar-box red pyjamas,” “I have to stay in bed until the sun works round to the windows,” “I’ve absolutely got to drink champagne tonight!” ‘
from Part 3 of Trout Fishing in America by Richard Brautigan
(Source: lecataste)
(I have decided from this day forth that life is too short to finish books I am not whole-heartedly adoring devouring at a rate of knots. I shall of course always persevere until I am satisfied the situation isn’t going to suddenly rectify itself, that it isn’t a case of laziness due to archaic vocabularies or paragraphs being infested with irrelevant or tedious footnotes and highly unlikely if not nigh on impossible that I will become endeared to dull characters, pompous, stuffy prose or whatever other literary feature I am finding fault with. This newly granted permission to abandon ship is on account of the future being uncertain and the fact that even if I -touch wood- avoid a fate involving a combination double decker buses plus my absent mindedness crossing roads, even if I eschew a myocardial infarction or assassination or self-destruction or anything faintly apocalyptic (heaven forbid being morbid on the 31st) there are still a distinct lack of hours in the day and a stupendous plentitude of both fiction and non-fiction that I not only feel obliged to pore over but actually very eager to! The first novel to suffer under this new objective of mine was Mr. Swift’s, I’m afraid his incessant Political allegories and protracted, slightly self-indulgent satire does not leave me chomping at the bit for the next instalment so I am abandoning him for more appealing things. I appreciate the general sentiment and skill but to be frank, I’ve had my fill.
To end this impromptu tirade positively the nonsense language featuring names like ‘Brobdingnag’ and ‘Glubbdubdrib’ and ‘Flimnap and Skyresh Bolgolam’ was fun and bits like them calling him a ‘man-mountain’ and I loved this;
“He had been eight years upon a project for extracting sunbeams out of cucumbers, which were to be put in vials hermetically sealed, and let out to warm the air in raw inclement summers.”